Twelve dinners worth a flight

Twelve dinners worth a flight

Some meals are fuel. A rare few justify the flight, the transfer and the whole improbable project of getting there. We asked our planners a simple question: which dinners would you board a plane for tomorrow? The answers came back fast, specific and slightly wistful, the way people always talk about the meals that have quietly become personal landmarks. Twelve made the cut.

Counters and chef's tables

One: a six-seat tempura counter in Tokyo, each course seconds out of the oil, the chef reading your pace like an accompanist. Two: kaiseki in a Kyoto townhouse, a dozen small courses that amount to an essay on the exact month you chose to visit Japan. Three: a grill counter in San Sebastian, in northern Spain, where whole turbot over coals explains why chefs cross the planet just to stand and watch a man manage a fire.

Fires under open skies

Four: a fire pit in the Kalahari, on the wild side of Botswana, dinner cooked over coals while something large calls in the dark beyond the lamplight. Five: asado at a working estancia in the pampas, where beef, wood smoke and four unhurried hours are the entire recipe. Six: a barefoot beach grill on Zanzibar, the fish chosen by pointing at it, eaten while the tide comes in around the table legs.

Streets and markets

Seven: tlayudas at a night market in Oaxaca, southern Mexico, all smoke and chilli and the immediate certainty that you will be back. Eight: pho at dawn in Hanoi, because the best restaurant in Vietnam is a pavement, six stools and a broth that took all night. Nine: the grill stalls of Marrakech's great square as the lamps come on and the smoke turns gold, chaos arranged into dinner.

Tables with a view attached

Ten: a lemon-grove terrace above the Amalfi coast where lunch drifts so far into evening that it quietly becomes dinner, and nobody moves to stop it. Eleven: a taverna on an Aegean quay, two feet from the water, octopus and cold wine while the ferries go dark one by one. Twelve: a single table set on a Maldivian sandbank, which sounds like a postcard cliche right up until you are sitting at it, at which point it is simply the best restaurant on earth, with no walls and one booking a night.

A note on how these happen: the counters fill months ahead, the sandbank has a single sitting, and the estancia needs a driver who knows which gate. None of these are dinners you get by walking in. Several cost less than you would guess; the seat is the true currency, and seats respond to planning.

The hard part of eating like this is rarely the cost. It is the seat: six chairs at the counter, one table on the sandbank, and someone who knows the person holding the list. Tell us which of these made you hungry and we will build the journey around the table, reservations included.

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